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1865-67, City Post of Constantinopel : Liannos Collection on five album pages starting proof pair 5 pa. black on dull rose imperforated with guide line for printing on top, perforation varieties, imperforated blocks, colour shades, blocks of four, fine and unusual.

1857, Victoria 4d. dull-rose, fresh color and very close (maybe just touched) to good margins, used with central grid, an attractive example of this rare stamp, a.o. signed Pfenninger and certificate Philatelic.Experts (2026)

1857/59, Recess by Perkins Bacon, watermark large Star: Victoria 1 sh. 9d. green, fresh color and close to good margins, unused with small part original gum, fine, signed Mohrmann

1857/59, Recess by Perkins Bacon, watermark large Star: Victoria 9 d. purple-brown, fresh color, close to good margins all around, used, fine, signed Thier

1852, Coat of arms 40 c. “celeste”, fresh color and good margins, used with bar cancellation, fine, signed Star(auschek)

1853, Victor Emanuel II. on colorless embossed paper 40 c. rose, fresh color and good margins all around, used with clear cds., fine, signed Thir

1853, Victor Emanuel II. on colorless embossed paper 5 c. blue-green, fresh color and good margins all around, used with clear cds. “NIZZA MARITTA 9 OTT 53”, fine, signed Thier

1851, Victor Emanuel II. 40 c. rose, fresh color and good margins all around, neatly used with mute lozenge of dots in black, very fine, a.o. signed Köhler

1851, Victor Emanuel II. 5 c. black, fresh color and good margins all around, neatly used with mute lozenge of dots in black, very fine, signed Thier

1861, Queen Victoria 9 d. purple-brown, fresh and vibrant colours, tied by barred obliterator to envelope to London endorsed “via Marseilles”, with red “GALLE MY 30 1861” despatch on reverse, on front arrival cds. (25 July). The adhesive with perforations trimmed at foot, clear of design, still a fine and attractive cover. A delightful and exceptionnally rare usage, with only a few covers recorded bearing the 9 d. clean-cut issue. Certificate WAPE (2026)