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1964/94, 14 different complete sheets (=420 stamps) of imperforated 'essais de couleur', unmounted mint. The early years with handstamps "Musée du Timbre-Poste" on reverse and all with few archive annotations in pencil in the margins only.

1865-67, City Post of Constantinopel : Liannos Collection on five album pages starting proof pair 5 pa. black on dull rose imperforated with guide line for printing on top, perforation varieties, imperforated blocks, colour shades, blocks of four, fine and unusual.

1946, Airmail 40 f. — 200 f., imperforate, all from the bottom-right sheet corner with printing date, mint never hinged, very fine

1949, Airmail 300 f. — 1000 f., imperforate, all from the bottom-right sheet corner with printing date, mint never hinged, very fine

1853, Victor Emanuel II. on colorless embossed paper 40 c. rose, fresh color and good margins all around, used with clear cds., fine, signed Thir

1853, Victor Emanuel II. on colorless embossed paper 5 c. blue-green, fresh color and good margins all around, used with clear cds. “NIZZA MARITTA 9 OTT 53”, fine, signed Thier

1851, Victor Emanuel II. 40 c. rose, fresh color and good margins all around, neatly used with mute lozenge of dots in black, very fine, a.o. signed Köhler

1851, Victor Emanuel II. 5 c. black, fresh color and good margins all around, neatly used with mute lozenge of dots in black, very fine, signed Thier

1885/1972, mostly unmounted mint collection with some duplicates, in stockbook and album. In the main numbers except some top items fairly complete, including Mi. 1-8, 27-33, 502-505A/B, Bl. 3-4A/B, etc.